Saturday, May 23, 2020

Can Art Change the Way We View the World - 1554 Words

Can Art Change the Way We View the World? Susan Agee Classics in Philosophy of Art - P346 Gregory Steel Fall 2012 For centuries, art has been interwoven throughout the history of mankind. From primitive carvings on cave walls and ancient Egyptian hieroglyphs, to the Sistine Chapel and the Mona Lisa, artistic creations have enthralled the human race. Art may be a window to the creator’s world; it has potential to instill desire in the viewer to do something they have never done, be somewhere they have never been and inspire to fulfill a dream or goal. Additionally, Art may possibly allow the artist to illustrate their own perception of a place or even attempt to deceive the viewer. However, to truly understand how we see the world we†¦show more content†¦To illustrate this idea that perceptual experience may be different than what is real, consider the optical illusion. Artists such as Charles Allan Gilbert and M.C. Escher were masters of the craft of illusion in art. For example, in 1892 Charles Allan Gilbert drew a picture that he called â€Å"All is Vanity†. This piece o f artwork is an ambiguous optical illusion using a skull, which has been the object of many pieces of this type, where we see more than one thing in the picture. If we view the overall image, we see a human skull. When we focus on the details of the picture, we see a woman looking in her vanity mirror. If we look at a close-up, cropped image of All is Vanity, we dont see the skull we just see details of a woman sitting at her dressing table. However, if we expand our view, even without seeing the entire image, once we know were going to see a skull, we cant help but see it. Also, when we look at the picture from a distance, because of all the black surrounding it, once the details of the woman get distorted we still only see a skull. Additionally, M.C. Escher used his expertise in mathematics to create his optical illusions in art. He was fascinated with tessellations, which are arrangements of closed shapes that completely cover the plane without overlapping and without leaving gaps. Typically, the shapes making up a tessellation are polygons or similar regular shapes, such as the square tiles often used on floors. Escher,Show MoreRelatedThe Beginning Of The Twentieth Century1482 Words   |  6 PagesThe beginning of the twentieth century marked a significant event not just in the changes of ideology, technology, but also the way artists approach art. Communism and Fascism were on the rise and technological advances held strong since the industrial revolution. However, â€Å"The need for a wholesale new approach to art in the nineteenth century arose as the traditional forms of art were borne down on by new conditions and experiences.† (21) became apparent. To satisfy this need artists took many differen tRead More Analysis Of Writers Paulo Frei Essay1097 Words   |  5 PagesPerspectives in the Arts nbsp;nbsp;nbsp;nbsp;nbsp;The stories behind a piece of art are infinite. The reasons the artist produced the piece is only one explanation behind the work. Even so, who is to know the specific thoughts the artist was thinking at the time? As each art critic may conclude his own analysis of an artwork, who is right and who is wrong? Just as students challenge the information that is supposedly â€Å"deposited† in them by the teacher in the classroom setting, art challenges theRead MoreThe Influence of Art on Our World Essay985 Words   |  4 Pages Art is not just a picture on a wall or in a museum, art comes in many forms. It can be a song you just heard, a video you watched, or a painting you saw in a gallery. Also, art can be just text. All forms of art grasp you in different ways and make your thoughts evolve to new distances. 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When examining transnationalRead MoreAnalysis Of The Other Hand 1418 Words   |  6 Pagesthat the beauty we perceive through art can change or support a pre-conceived idea. On the other hand, Elaine Scarry’s view resides in the fact that our view of beauty promotes the spirit of justice. Art is not so much the focus, rather beauty is the driving force of these two essays. There is an educational aspect to beauty that implies improvement within an individual or society and is promoted through both essays. Leo Tolstoy’s â€Å"What is Art† rejects any definition of art based on the

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